The Outsider touches on a number of philosophical schools of thought, and Camus borrows from his forbearers, notably Nietzsche and Kierkegaard. Although Camus claimed not to be an existentialist, Meursault undoubtedly embodies the existential spirit; he recognises that life is limited to this world and that death, the fate common to all men, is inevitable and final – he embraces this and, in so doing, offers hope that a life of strict immanence may still have, albeit limited, meaning. By embracing authentic existence, Meursault sets himself apart as the outsider. Meursault’s most striking characteristic is his strict adherence to truth; he lives without motive, with a complete congruence between his thoughts and actions. In perfectly embodying one of society's moral ideals, he causes friction between himself and a hypocritical society who cannot themselves attain the standards they set. That Meursault will not make concessions, will not bring comfort to others by buying into the illusion, is the true cause of his condemnation. At the murder trial – a surreal experience – Meursault is condemned by a jury who seek to preserve their own absurd existence.
Camus was an essayist first and foremost, and his prose can appear simple, with limited descriptions or metaphors, reading more as an extended essay. However, this is hugely deceptive - there is method in the style, and indeed in the overall construction of the novel. The plot itself is perfectly balanced, split into two sections, with the decisive murder sitting right at its centre. The narrative, written in the first person, slips between past and present tense, simultaneously emphasising distance from the events, and suggesting the lack of a future from where the event might be relayed. The sentence structure is inconsistent, but generally speaking sentences are short and sharp, each existing as a solitary entity, self-contained with no future, suggesting the discontinuity of time and the idea that life, much like the novel, is a series of present moments, not a complete, coherent experience.
There are philosophical works that offer a deeper and fuller discussion of the human condition, and in comparison to these The Outsider can feel a little lightweight. However, the novel is so brilliantly constructed, the ideas presented in such an accessible and neat form, that it is undoubtedly one of the very best introductions to existentialism and the ideas surrounding absurdism and authenticity. The world that Meursault inhabits is a strange version of our own, and his attitude, his disconnect from society, strikes a chord with many, perhaps feeling most relevant to younger readers who are still developing their own perception of the world. As an introduction to the philosophical novel, The Outsider has an enduring quality, and is one of the most important books of the twentieth century.
Reviews of The Outsider on Amazon (UK)
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|Analysis: The Outsider by Albert Camus|
The Outsider (1942) (previously translated from the French, L’Étranger, as The Stranger) is Albert Camus’s most widely known work, and expounds his early understanding of Absurdism, as well as a variety of other philosophical... [Read More]